In 1951 the demand for VFX was already quite high. And when you felt the urge to make a per­form­ance by Fred Astaire even more impress­ive, as if that was ever neces­sary, you had to bring out the big guns. Big­fott stu­dios recre­ated a semi behind-the-scenes sequence straight from the ori­ginal foot­age, and it’s quite inter­est­ing to watch. It all looks so simple now, but back in the days it must have blown the audience’s minds.


  • artist/studio: Stan­ley Donen
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